Making History The Great War Console Commands

Making History: The Calm & The Storm is a World War II grand strategy video game released in March 2007 by developer Muzzy Lane.Similar in ways to the popular board games Axis & Allies and Risk, Making History is turn-based with basic industrial, economic, resource, research and diplomatic management included. If you have any cheats or tips for Making History II: The War of the World please send them in here. You can also ask your question on our Making History II: The War of the World Questions & Answers page. Making History: The Second World War is the 4th title of a series of turn-based Grand Strategy games. It's unique open-ended design allows players to experience alternative outcomes in the World War II era. This was an industrial conflict between the Great Powers of the Machine Age. This page deals with commands used in the console. For the modding term, see commands. This page lists the codes which may be input into the Console Window, a special debugging window which may be accessed on non-ironman games by pressing Shift+2, ALT+2+1, Shift+3, §, , ^, °, ², or ` (key varies based on keyboard layout). Clear the console: Console.Clear: Crashes game: App.crash: Debugging: Game.showWBPalette bool bCreate: Displays all console codes: help: Dump console command history: Console.History: Forces AI to plat a certain number of turns: Game.AIPlay Morph the globeview count times. Profile.morphGlobe Rebuild city indicated number of times.

World War 1
Making History The Great War Console Commands List
Making History The Great War Console Commands Command
Making History The Great War Console Commands List

Making History: The Great War. PC game review. Publisher/Developer: Muzzy Lane. $29.99; World Wars package (The Great War and War of the World), $34.99

Passed Inspection: Great historical detail and breadth, excellent AI, allows innovative strategies, much replay value

Failed Basic: Steep learning curve, bland graphics, only two long scenarios.

All war games allow players to change history: Pickett’s charge may work if done well; an early Allied attack in the West could end World War II in 1939. Yet, all these examples work within strict parameters. Players have limited freedom of action to keep the games from being wildly ahistorical. Muzzy Lane’s Making History series shows how to give players vast latitude while not going into science-fiction style alternatives. Their latest game, Making History: The Great War, is great example of how intense research in a period creates a game that allows players to think and act outside the box without violating the realities of the period under study.

Appearance Isn’t Everything.
The graphics for this game won’t win even Honorable Mention at an eye-candy convention. Maps—covering around 200 countries, colonies and protectorates—are simply bland with cities tending to look alike, resources blurry at even the closest zoom and terrain features such as rivers and mountains not very outstanding. The military sprites have the correct uniform types but do not inspire any “OOOHs.” Some ships and aircraft, including zeppelins, are exceptions to the usual blandness. Animations indicate movement and combat but can block access to the yellow-orange blotches that provide information on battles. The poster-like announcements of events at the beginning of turns provide nice breaks from the visual monotony, as does the parade of era-correct flags.

However, game play depends on functionality, not glitz and Making History: The Great War provides functional graphic effects in spades. Twelve map overlays provide information on matters such as diplomacy, national stability, resources, demographics and supply. Each map has color-coded sub-categories related to the issue—for example, the resource map is broken down into resource type with levels of production. Zooming in and out, these maps can give players solid understanding of their empire. This understanding is further expanded by a myriad of tables accessed through seven tabs that open up windows for factors like politics, the military, trade and production. Each window, in turn, yields multiple levels of detail on the subject. The military window shows all of an empire’s forces and then breaks them down by land, sea, and air units. This breakdown continues in groups for each unit type with a further panel to give empire-level orders. Helpful tool tips clarify each sub-division of all factors in a window. Moving around maps and the research tree can be done through arrow keys or “grabbing” with a left click and dragging the map.

Simpler but perhaps more important are the elements in the bar at the top of the screen. The elements represent the stockpiles of arms, food, metal, steel, fuel, oil, coal, gas shells and money. Mousing over each shows how much of that resource is in storage versus the amount in demand. The similar boxes to the left show the same things for road, rail and shipping capacity. Right-clicking anywhere on an empire allows selection of the empire’s statistics and status for economics, internal affairs, research and diplomatic ties. Taxes can be raised and diplomatic actions made from this window. The sound effects in this game are as bland but functional as the graphics and the music, while nice for a few minutes, invokes Benjamin Britten at his most somnambulant. The tutorial scenario uses Austro-Hungary during the summer of 1914 to teach basic gameplay, and the 56-page PDF manual is fairly comprehensive but lacks page numbers in the table of contents. The tutorial and manual are helpful but nothing can truly prepare gamers for the scope and detail of the game. New players may be better off playing “plucky little” Belgium to begin.

In the Deep End
Making History: The Great War is a turn-based game with week-long turns. Other than the tutorial, the game comes with two scenarios: the inevitable July 1914 run-up to the war and one that begins in 1912. Players can choose one of the eight Great Powers or select a smaller country. The game can continue for eight years after the scenario start with victory decided by the amount of victory points gained through territorial gains, military power, regional improvements and research.

The July 1914 scenario begins with all powers ready for war. Austria-Hungary will go after Serbia, and war of some sort will happen. Military matters become the focus of play with the other aspects subordinate to the demands of war. True, peace can be made, but usually just as a breather before re-starting the fighting. The 1912 scenario is where all aspects of the game are of equal importance.

In 1912, the world is open for players. Perusal of resource stockpiles is a good start to determine direction. Shortages in metal, coal and food can be rectified by right-clicking on regions to create infrastructure to increase output of coal and metals or to build better farms for more food. If stockpiles are solid, building amenities like hospitals, power stations and universities in regions may help stability. Improving roads and railroads allows for better transport of goods and resources—and troops if necessary; some heavy artillery units require railroads. Any improvements cost resources so players should resist the urge to overbuild and should look at what their cities are producing to either decrease the need for a resource or increase a particular capacity.

If needed resources are not present in an empire, trade is the answer. Trade is handled in two ways. Empires can choose to buy or sell resources on the world market or try to get a trade agreement with a specific nation. Prices are fixed by the game but players can control the amount purchased or sold. Limitations on trade not only affect diplomatic relations and money but also reduce rail and shipping capacity. Every import and export reduces these capacities.

Cities are another important cog in the economic wheel. Clicking on a city (or scrolling through cities) shows the number of factories it has and if it recruits troops. An empty factory slot can be filled with the factory type, dependent on the city’s infrastructure and available resources. An order slot reveals possibilities for buildings. Again, the benefits of factories may be outweighed by the costs of not only building them but providing the raw materials for production. Other buttons show the city’s tax income, buildings, factories and recruitment order.

The research tree has three levels: pre-industrial, early industrialization and machine age. Great powers begin with most of the early industrial projects already completed but a few remain. Depending on players’ strategy, uncompleted industrial projects can be mopped up or players can begin researching the machine age. The costs in money and research points are found by clicking on the encyclopedia button, which also explains benefits accrued and prerequisites. Research points are gained by building universities and research centers.

Despite all the building, Making History: The Great War is not a country-building game; improvements and resource management are secondary to governing. Selecting the country tab brings up the issues players must cope with internally. Right-clicking a region and then choosing “Select (Whichever Empire Being Played)” will bring up the government window. Clicking the flag opens the governmental choices list. Here, players can adjust taxes and increase or decrease funding to social programs, religion, education, propaganda and purging corruption. Also possible is ordering a trade offer from a colony, relocating a capitol or, if a rebellion occurs and a splinter nation is created, funding a coup against the rebels. All these options should be made in conjunction with the regional map overlay to check on national stability and unrest.

Diplomacy is the other hand of governance. Clicking on a nation or picking it from the list from the diplomacy tab allows the usual functions of trade agreements, military access, territorial concessions, alliances or war. The shadier side of diplomacy has financial support for the government, faction or coup attempts. Diplomatic moves of multi-ethnic empires should coincide with domestic policy.

The Sharp End
Regardless of how pacific players act, their empire will eventually be drawn into a war. Signs of impending conflicts can be seen in notification pop-ups at the beginning of turns, announcing diplomatic moves and wars as well as interesting events like the Titanic’s sinking. Some events will have no interest to players but others may be crucial, particularly those events that require players’ response. For instance, the US won’t care about the activities of the Dervish but will care about Mexican affairs. The diplomacy window will list wars and allow players to support sides. However, taking sides requires a military.

An empire’s military has four parts, the troops, navy, fledging air force and artillery. Each of these is broken down by type, e.g., infantry, engineers, dreadnoughts, rigid airships and field guns. Troop types are recruited from cities, artillery is built at cities with steel and tool factories, ships are constructed at shipyards and planes at hangers. Although always called armies, troops seem to be regiments, guns are batteries and aircraft are squadrons. Ships are shown individually. Units can be merged into larger groups which can then be split. The military panel yields group positions, costs and combat power. This panel is also used to set readiness and mobilization levels. High levels increase combat prowess but is expensive. As war looms, armed forces should be readied but going to general mobilization too fast is not only expensive, it sends a dangerous signal to neighbors. Units are moved individually by selecting them and right-clicking on destinations. Movement options include road and rail travel if transportation capacity is sufficient. Aircraft need an airbase at the destination, but naval forces move freely.

War can be started in two ways: by simply moving a unit into a foreign country or declaring war via diplomacy. The latter course is best as players can call on alliance members to join the fray. Land combat happens when enemy units meet in a region, although heavy howitzers can bombard from adjacent regions, with observation balloons decreasing the chance of friendly fire casualties. Battles are marked by splotches; their names appear when moused over. Clicking on a battle shows each army’s number of units, attack and defense modifiers, and morale. Once commenced, players can only reinforce a battle, which will end when one side’s morale drops to a low point. Morale drop is a function of a force’s percentage losses, so a large force can lose several units without significant morale effects. Naval combat is very similar, but submarines and merchant raiders can interdict enemy shipping.

Battles can last for weeks and players who focus on one area of operations may feel bored just clicking through turns. They would be wrong. Events are happening around the world and the AI has surprises. Allies may change sides, war weariness may cause civil war and the AI may do something completely opposite of the historical track, such as Germany abandoning the Schlieffin plan and using Moltke the Elder’s “Russia First” strategy. Players should look to their colonies, either to defend them or go on the offensive. Research will provide new weapons that may decide the war. All this time, players also need to tend domestic affairs. Military operations, though crucial, are only part of this game.

Replay possibilities are tremendous given the number of countries to be played, a very surprising AI and multi-play via Steam. A newly added editor will allow mods when a manual is finished for it.

Making History: The Great War can be improved. An auto-victory option based on gains and losses could accommodate players who don’t want to wait 435 turns to see which empire has the most points. Another option would be to give players a bit more control over battles. These recommendations in no way neglect the fact that this game is a superlative experience in learning, creativity and entertainment.

Armchair General Rating: 89%

About the Author
Jim Cobb has been playing board wargames since 1961 and computer wargames since 1982. He has been writing incessantly since 1993 to keep his mind off the drivel he dealt with as a bureaucrat. He has published in Wargamers Monthly, Computer Gaming World, Computer Games Magazine, Computer Games Online, CombatSim, Armchair General, Subsim, Strategyzone Online and Gamesquad.

Released

When I saw that Battlefront.com and Fury Software planned on releasing a WWI - Europe version of the venerable Strategic Command game I thought for sure that Hubert Cater made a mistake. I have never played a single computer wargame in the past 30 years that focused on that conflict and enjoyed it. We can all be thankful that I wasn't consulted on making the decision to develop what is an excellent expansion for a very worthy series. (Disclosure: I was an official beta tester for SC2 and bugged Hubert so much after the release of the original SC with suggestions and bug reports that he added my name to the list of beta testers after release)

Fury Software and Battlefront.com have nailed the sweet spot with their release of Strategic Command WWI: The Great War 1914-1918. A playable, enjoyable, and relevant operational level war game focusing on the events of the world?s first global war. Built on the rock solid SC platform that has dominated the World War genre for the last decade SCWWI takes us back a generation and in this reviewers opinion is the first successful WWI game released.

This is a war that I have always chomped at the bit to get into but in every prior attempt I was dissatisfied. After playing SCWWI I think I figured out why. Put simply I have no context of the events of WWI. I know that tanks, gas shells, and subs made their combat debut but I have no background to the conflict. For example, I don't have a clue why German agents would attempt to destabilize French Morocco in 1914. Sure, that makes some sort of sense, but I don't have a clue why it was important. WWII and later I know in spades from countless hours watching History and Military channel, not to mention an almost completed minor in Military History focusing on WWII while a student at UC Davis, Iknow the events. I know Stalingrad. I know Dunkirk. I know Normandy. Playing any of the previous Strategic Command games I could get my head in the game and be there.

World War 1

Launching the 1914 German offensive against Belgium and France....meh, why? SCWWI would be the same boring game except that the design team did something brilliant. Included in the game install is a strategy manual that explains the events of the day in such a way that for the first time ever I got a handle on the context of the events going on during the war. While I'm sure most hard core historical gamers don't need this handicap, it affords an excellent tool that opens up the game to a much wider audience. Myself included.

Familiar Territory

For existing players of SC, getting into the game will be seamless and easy. Sure, you don't have tanks or sleek fighters and the R&D tree is a little different, but the tried and true mechanics of the game are a familiar old friend. For new players, the interface is clean, the graphics well done, and most importantly it's fun to play.

After firing it up and starting the 'Call to Arms' campaign the first thing that struck me was the increase in detail of the map. Where in previous SCs entire regions were abstracted by a single city, now the whole of the map is dotted by small towns and isolated fortresses. Setting up a trench-line on the western front was a logical extension of the map. And after investing R&D in trench warfare my units were nearly impossible to displace. The feeling of ?sitzkreig? definitely settled in.

Throughout the game event actions pop up giving you options for directing the course of the war from supplying potential allies with units or production points, to hiring generals. Suggestions for strategy also are offered.

New units include airships, calvary, recon bombers, heavy artillery, train artillery, and anti-aircraft. Familiar units like tanks, fighters, and aircraft carriers (sea plane carriers) are appropriately weakened.

For gameplay several new features are presented, the most important being national morale. If a country?s national morale falls to zero they surrender. Thus it isn't necessary to capture a capital and wipe out the military to win. Capture enough cities, fortresses, resources (and hold them) or destroy major fleet units and you can cause a country to submit. Units will no longer fight to the bitter end either. If a unit is particularly hard pressed and it is possible to do so, it may retreat after being bloodied.

On the high seas, merchant raiding is now more important than ever. Sea convoy lanes can now be effectively shut down if you park a fleet on them (See icons in Fig03). For Germany this means cutting off vital supplies to the UK by intimidating shipping traffic. For the Entente it means blockading the North Sea approaches to non-neutral shipping, reducing supplies to Germany. Keep the Dutch friendly though and you can sneak your fruit in through Amsterdam.

I only found one issue to complain about during play. You can use the mouse wheel to zoom out from the game map to the campaign map and vice-versa. Something really useful, except occasionally there was a graphical hiccup. Given that this is more of a minor graphical bug than a design flaw, I cannot fault SCWWI for it.

Overall I give this game high marks. For the first time I can say that I've enjoyed a computer WWI game.

Recommended Specs:

CPU: 1 GHz Processor
RAM: 512 MB
OS: Windows XP/Vista/7
DirectX: 7
Video Card: A minimum of 128 MB with 16-Bit Color (256 MB with 32-Bit Color is recommended) supporting at least 1024 pixels in height and 768 pixels in width.
Sound Card: 16-Bit DirectSound compatible CD-ROM: 8x or betterHD: 1.2 GB free Hard Disk space.

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